Dark Adaptation
Installation view of Dark Adaptation, 2017
lightproof room, black latex wall paint, 4 framed unfixed photograms, red safelight bulb, tungsten bulb
10 x 10 foot room
JULIE WEBER Dark Adaptation lightproof room, black latex wall paint, 4 framed unfixed photograms, red safelight bulb, tungsten bulb
Installation view of Dark Adaptation, 2017
lightproof room, black latex wall paint, 4 framed unfixed photograms, red safelight bulb, tungsten bulb
10 x 10 foot room
JULIE WEBER Dark Adaptation lightproof room, black latex wall paint, 4 framed unfixed photograms, red safelight bulb, tungsten bulb
Installation view of Dark Adaptation, 2017
lightproof room, black latex wall paint, 4 framed unfixed photograms, red safelight bulb, tungsten bulb
10 x 10 foot room
JULIE WEBER Dark Adaptation photogram on unfixed gelatin silver paper, scored
Ascending Gradient (Forte Fortezo G4 FB)
photogram on unfixed gelatin silver paper, scored
14 x 11 inches (print); 18 x 15 inches (frame)

The color shift of the photogram was documented weekly during the exhibition. From left to right: original to end of week 5.
JULIE WEBER Dark Adaptation photogram on unfixed gelatin silver paper, scored
Perceived Transparency (Kodak Polycontrast III RC)
photogram on unfixed gelatin silver paper, scored
20 x 16 inches (print); 24 x 20 inches (frame)

The color shift of the photogram was documented weekly during the exhibition. From left to right: original to end of week 5.
JULIE WEBER Dark Adaptation photogram on unfixed gelatin silver paper, scored
Perceived Transparency (Kodak Kodabrome II RC)
photogram on unfixed gelatin silver paper, scored
20 x 16 inches (print); 24 x 20 inches (frame)

The color shift of the photogram was documented weekly during the exhibition. From left to right: original to end of week 5.
JULIE WEBER Dark Adaptation photogram on unfixed gelatin silver paper, scored
Descending Gradient (Ilford Multigrade FB)
photogram on unfixed gelatin silver paper, scored
14 x 11 inches (print); 18 x 15 inches (frame)

The color shift of the photogram was documented weekly during the exhibition. From left to right: original to end of week 5.